The woman who wears glasses constitutes one of the most intense visual clichés of the cinema. The image is a heavily marked condensation of motifs concerned with repressed sexuality, knowledge, visability and vision, intellectuality, and desire. The woman with glasses signifies simultaneously intellectuality and undesirability; but the moment she removes her glasses (a moment which, it seems, must almost always be shown and which is itself linked with a certain sensual quality), she is transformed into spectacle, the very picture of desire. Now, it must be remembered that the cliché is a heavily loaded moment of signification, a social knot of meaning. It is characterized by an effect of ease and naturalness. Yet, the cliché has a binding power so strong that it indicates a precise moment of ideological danger or threat — in this case, the woman’s appropriation of the gaze. Glasses worn by a woman in the cinema do not generally signify a deficiency in seeing but an active looking, or even simply the fact of seeing as opposed to being seen. The intellectual woman looks and analyses, and in usurping the gaze she poses a threat to an entire system of representation.